I love having a big project to work on piece by piece, day by day–except when I hate it.
I started rewriting the first draft of my novel about a week ago. I”ve turned 35 single-spaced first draft pages into 25 double-spaced second draft pages, which means I threw out a whole lot of stuff in my first 35. I guess that was to be expected. The beginning of my first draft is sort of like a Choose Your Own Adventure book. There are at least four alternate story lines going on, so I chucked the pages from the three I’m not using and a few more pages of mortifyingly cheesy dialogue between the main character and a character that totally doesn’t exist anymore.
The whole beginning of the book was feeling pretty sluggish to me. Besides this novel, the majority of my writing experience has come in the form of blog posts and sketch comedy–two places where you need to get your point across immediately or risk having your audience tune out. In the first draft of my novel, nothing happened for the first thirty pages. Now, in the second draft, I’m making the opening line of the whole book an explanation of the premise.
There are a lot of great classic novelists who took their sweet time getting to “the point” in their books, giving fifty pages of historical context and their characters’ personal genealogy before revealing a single piece of action to their readers.
I don’t think I want to do that. I think I want to try to suck people in right away. I guess that will make my piece more pop culture-y than classic novel-y, but I guess that’s okay. I just want it to be good and for people to like it.
DEADLINE FOR SECOND DRAFT: FEBRUARY 29, 2012
FIRST DRAFT (SINGLE-SPACED) PAGES REWRITTEN: 35/250
SECOND DRAFT (DOUBLE-SPACED) PAGES COMPLETE: 25
DAYS LEFT: 51
PAGES LEFT TO REWRITE: 215 (Ouch. It hurts to even write that.)